EDITORIAL STANDARDS 0 entries

Editorial Standards

A note on the methods

The Gamecock Codex is an editorial encyclopedia, not a database. Every entry in the Codex is a piece of writing, prepared by an editor, set in the Codex’s voice, and judged by the same standards that any publisher would apply to a printed book. The rules below govern the writing itself.

Sources

The Codex draws exclusively from primary and published secondary sources. Where a primary source is out of copyright (most of the breed books, the agricultural press, the eighteenth- and nineteenth-century broadsheets) we cite the original publication. Where a primary source is in copyright (the modern commentators, the recent academic monographs) we cite the work in standard form and reproduce only what fair use permits — usually a sentence or two, always credited.

We do not cite Wikipedia. We do not cite user-generated content. We do not cite sources we have not personally read.

The principal categories of source, in order of preference:

  1. Primary breed books — Lewis Wright, Book of Poultry (1885); Harrison Weir, The Poultry Book (1853); William Bernhard Tegetmeier, The Poultry Book (1867); The American Standard of Perfection; the Poultry Club of Great Britain Standards; the Indian Game Club stud-books.
  2. Ethnographic and natural-history works — Ulisse Aldrovandi, Ornithologiae (1600); the Senri Ethnological Studies monograph on Japanese long-crowers (1996); the Aviculture-Europe breed monographs; the Livestock Conservancy breed histories.
  3. Period news and periodical sourcesThe Field (London, 1853–); Gamecock magazine (1940s–1950s); the American Poultry Journal (1870s–); the Asiatic Review (1886–1917); the Feathered World (1890s–).
  4. Modern heritage and conservation sources — the Livestock Conservancy (Pittsboro, NC); the Poultry Club of Great Britain; the American Poultry Association; the Rare Breeds Survival Trust; the Food and Agriculture Organization’s Domestic Animal Diversity Information System (DAD-IS).
  5. Genealogical and biographical works — the Public Record Office (London) for the Tarleton dispatch and other Revolutionary War sources; the National Archives of India for Manasollasa studies; the British Library for early Stuart cockfighting broadsheets.

Voice

The Codex’s voice is dry, precise, and serious. It is the voice of a natural-history museum, of an old agricultural journal, of a senior curator’s introduction to a catalogue. It is not the voice of a fan site, of a social-media feed, of an advocacy site.

The voice is not:

  • breathless (“this incredible bird!”, “absolutely stunning!”)
  • ad-copy (“the perfect addition to your flock!”)
  • ironic / knowing (“the noble cock, lol”)
  • polemic (“cockfighting must end NOW”)

The voice is:

  • specific. “The Asil is a bird of three lines, all from the Indus.” Not “this ancient bird has a long history.”
  • cautious. “The earliest certain reference is to the cock of Suleyman in 1554.” Not “this bird was first bred in 1554.”
  • sourced. Every claim above a casual one is footnoted, inlined, or otherwise tethered to a source the reader can check.
  • understatement-prone. Where two opinions are at odds we tend to the more modest. Where the bird is dignified, we say so once. Where the bird is brutal, we say so once.

Capitalization

The Codex uses sentence case for the titles of breeds, plates, and timeline entries (“American game”, “Plate VI”, “Aristotle on the cock”). It uses Title Case for the titles of books, journals, and other periodicals (The Field, Ornithologiae, Domestic Animal Diversity Information System). It capitalizes Codex throughout.

Latin terms are italicized on first use: Gallus gallus, gameness, creole. Subsequent uses are roman.

Date and number conventions

Years are given in their natural form: “100 CE”, “20 November 1780”, “1948”. Ranges are unspaced with en-dash: “1500–1800”. Centuries are spelled out at the start of a sentence (“Nineteenth-century breeders…”) and abbreviated elsewhere (“19th-c. stud-books”).

Weights are in pounds, with the metric equivalent in parentheses on first use. Distances are in miles, with the metric equivalent in parentheses.

Posture on the subject

The Codex is a museum, not a pit. We do not advocate for cockfighting. We do not provide instructions for the breeding, conditioning, or matching of fighting cocks. We do not name modern pit operators, breeders, or venues. We do not depict the gameness of the bird as something to be cultivated; we describe it as a phenotype of interest to historians of animal breeding and culture.

Where we describe the historical practice of cockfighting — and we do describe it, because the bird cannot be understood without it — we describe it with the same clinical precision a natural-history museum would bring to any animal tradition. We do not celebrate it; we do not condemn it. We document it.

What we do not publish

The Codex declines to publish:

  • Photographs or descriptions of birds in combat.
  • Personal information about living breeders, owners, or pit operators.
  • “Tips” content (breeding, conditioning, feeding, or matching).
  • Speculative historical claims not tethered to a primary source.
  • The work of living authors in full, even where cited.
  • Anything that, in the editors’ judgement, would compromise the safety of a person, a community, or a breed.

Editorial process

Each entry in the Codex goes through a four-step process before publication:

  1. Research — the editor reads at least three independent sources, including at least one primary source where the subject is a historical practice.
  2. Drafting — the entry is drafted in the Codex’s voice, with sources cited inline as footnotes or end-of-entry references.
  3. Review — the draft is read by a second editor for factual accuracy, source fidelity, and tone.
  4. Revision — the editor revises in response to review, with a final read for prose and consistency.

The Codex is a work in progress. Entries are added as they are researched, written, and reviewed. The current edition is Volume I, the Folio Edition, compiled in 2026.

How to report an error

If you find an error — a misattributed quote, a wrong date, a missing source — please open an issue on the GitLab repository. We are grateful for every correction.


For questions of typography, color, and ornament, see the Colophon at /about/.

An Illustrated Encyclopedia · Volume I

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From the Editor's desk

A note, found loose in the binding.

To the patient reader who has wandered this far —

The gamecock is a difficult bird. He is beautiful and he is brutal; he is the emblem of three continents and the shame of a dozen legislatures; he is venerated in some yards and hidden in others. The Codex tries to hold all of that at once, and probably doesn't.

This site is small on purpose. There is no comment section, no share button that demands your attention, no algorithmic recapture. There is just a folio of breeds, a chronicle of dates, a shelf of plates, and a long quiet essay about courage. If you have read this far, you are the kind of reader this Codex was written for.

The Konami code, of course, is a small prank — an old coder's joke, embedded in a 19th-century codex. We hope you smiled.

The Editors
The Gamecock Codex, in the year of our Lord MMXXVI

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